A workshop exploring the development process of a virtual reality interactive artwork that looks at the troubling legacy of eugenics.
Project Blog
This is an update which only appears within the related project pages. It does not appear in the main blog.
Electric Bodies animations
Electric Bodies is a series of eight poetry cycles by Allan Sutherland taken from the transcripts of oral history interviews with practitioners from within the Disability Arts Movement. Within the context of the D4D project Electric Bodies aims to examine aspects of disabled artists lives that give voice to some of the main concerns of the disability arts movement. As part of the program Mark Hetherington made the following series of animations, using drawings by Colin Hambrook illustrating Allan Sutherland’s transcription poetry cycles
The Bushwick Book Club presents artistic responses to Tanvir Bush’s ‘Cull’
On Saturday 25 January 2020, the Bushwick Book Club presented artists’ responses to CULL, Tanvir Bush’s sharp, outrageous, and uncomfortable satire about the deadly underside side of discrimination. Author and researcher Dr. Tanvir Bush, wrote this dark satire about the current British welfare system highlighting the desperate plight of disabled people in Britain today.
‘Making Merry’ – tells the life story of disabled artist Robin Surgeoner
‘Making Merry’ is a cycle of transcription poems based on a series of interviews with the writer, performer and athlete Robin Surgeoner.
Leaky Robots – exploring ways a Robot Double can support access to culture for disabled people
Praminda Caleb-Solly is Co Investigator on the Catch Me If You Can project and team leader for assisted living in the Bristol Robotics Laboratory at UWE. For Catch Me If You Can she has been developing a series of events called Leaky Robots – these events are exploring ways a Robot Double can support access to culture for disabled people as well as the role new technologies play in giving disabled people greater independence. The Robot Doubledevice is designed to give agency and autonomy through a remote connection.
‘Not Getting Lost’ – tells the life story of disabled artist Vici Wreford-Sinnott
‘Not Getting Lost’ is a cycle of transcription poems based on a series of interviews with the writer and theatre director Vici Wreford-Sinnott, Artistic Director of Little Cog Theatre Company.
Disconsortia – A DIY Disabled Artist-Led Takeover
As part of DAO’s Electric Bodies project – Disconsortia brought twenty disabled artists from the North East of England together at the ARC arts centre in Stockton on 6th and 7th November 2019. Producer Vici Wreford-Sinnott reflects on the impact of the workshop and cabaret events on the disability arts community.
Disconsortia – A Lyrical Essay
As part of DAO’s Electric Bodies project – Disconsortia, produced by Vici Wreford-Sinnott – brought twenty disabled artists from the North East of England together at the ARC arts centre in Stockton. Writer-in-residence Lisette Auton reflects on the two-day workshop.
Ways of Understanding – tells the life story of disabled artist Colin Hambrook
‘Ways of Understanding’ is a cycle of transcription poems based on a series of interviews with Colin Hambrook, an artist, poet and journalist who is one of the key figures in Disability Arts.
Hate crime, intersectionaility and the Academy
Dr Tanvir Bush reports on a workshop at Bath University on 31 October, 2019. The theme was ‘Disability and hate crime in higher education’ and was part of a newly created six-week course titled ‘Tackling Hate Crime in Higher Education.’.