‘Not Getting Lost’ is a cycle of transcription poems based on a series of interviews with the writer and theatre director Vici Wreford-Sinnott, Artistic Director of Little Cog Theatre Company.
As part of DAO’s Electric Bodies project – Disconsortia brought twenty disabled artists from the North East of England together at the ARC arts centre in Stockton on 6th and 7th November 2019. Producer Vici Wreford-Sinnott reflects on the impact of the workshop and cabaret events on the disability arts community.
As part of DAO’s Electric Bodies project – Disconsortia, produced by Vici Wreford-Sinnott – brought twenty disabled artists from the North East of England together at the ARC arts centre in Stockton. Writer-in-residence Lisette Auton reflects on the two-day workshop.
‘Ways of Understanding’ is a cycle of transcription poems based on a series of interviews with Colin Hambrook, an artist, poet and journalist who is one of the key figures in Disability Arts.
Touretteshero co-founder Jess Thom. Photo by Laura Page ‘Stories of Power’ is a cycle of transcription poems based on a series of interviews with the…
Julie McNamara ‘Telling Stories’ is a cycle of transcription poems based on a series of interviews with the writer and performer Julie McNamara, the founder…
‘A Different Way of Engaging’ is a cycle of transcription poems based on a series of interviews with the late Katherine Araniello, a performance and…
Celebrate International Day of Disabled People 2018 with Disability Arts Online at DaDaFest. Colin Hambrook and Trish Wheatley from Disability Arts Online host a panel discussion…
Colin Hambrook and Trish Wheatley explore ideas about the history of Disability Arts and how it is understood by different factions of our community.
As part of ‘Electric Bodies’ we ran a series of three workshops discussing attitudes to disability arts and the disability arts community among disabled artists from a variety of backgrounds. The second session was held with a group of people who were, on the whole, less established as disabled artists within the disability arts sector than the participants in the first workshop.
